198 bars of 3/4 -- not four -- at 180 BPM, 3:05 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-14, snare through bars 15-25, hi-hat through bars 26-38, snare through bars 39-42, silence through bars 43-69 and hi-hat through bars 70-82, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 18-20, and 61 more places -- 44.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
46
1e+a2e+a3e+a
CC |x---x---x---|
BD |x-----x---x-|7 fills to learn, played 29 times: bars 13, 17, 21, 23, 25, 29 and 23 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 22 out of 100; the rest of the number is everything around it.
198 bars, about 3:05 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 29 times: bars 13, 17, 21, 23, 25, 29 and 23 more.