136 bars of 4/4 at 148 BPM, about 3:41 of playing, on crash, hi-hat, snare, floor tom and kick.
58 out of 100, a step up from a first song, and the work is in the speed of the hand keeping time.
The time is kept on the hi-hat the whole way through.
The beat the song is built on is one bar, played through bars 17-23, 41-47 and 81-87, and 5 more places -- 39% of every bar the kit plays. Learn that one and most of the song is already under your hands.
17
1e+a2e+a3e+a4e+a
HH |--x---x---x---x-|
FT |----x-------x---|
BD |x-------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the speed of the hand keeping time. The beat itself is 19 out of 100; the rest of the number is everything around it.
136 bars, about 3:41 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.