82 bars of 4/4 at a walking 76 BPM, 4:19 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
35 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-7, toms through bars 8-9, silence through bars 10-11, toms through bars 12-13, silence through bars 14-16 and toms through bars 17-18, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 19-21, 23-24 and 41-42, and 5 more places -- 29% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
20
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-----x-x-------|8 fills to learn, played 15 times: bars 17, 18, 22, 26, 34, 36 and 9 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
76 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
35 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 25 out of 100; the rest of the number is everything around it.
82 bars, about 4:19 at the written tempo. The course breaks it into 28 exercises over 6 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 17, 18, 22, 26, 34, 36 and 9 more.