139 bars of 4/4 at 126 BPM, about 4:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-9, silence through bars 10-23, hi-hat through bars 24-33, silence through bars 34-39 and hi-hat through bars 40-73, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 49-51, 53-55 and 90-92, and 3 more places -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
49 50
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |--o-g-o-g-o-g-o-|g-o-g-o-g-o-o-o-|
SD |----x-------x---|----x------x--x-|
BD |x---x---x---x---|x---x---x---x---|11 fills to learn, played 36 times: bars 24, 32, 52, 56, 64, 65 and 30 more.
It cuts the song into 45 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
139 bars, about 4:25 at the written tempo. The course breaks it into 45 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 36 times: bars 24, 32, 52, 56, 64, 65 and 30 more.