88 bars of 4/4 at a walking 105 BPM, 3:21 of playing, on hi-hat, snare, floor tom and kick.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-34, silence through bars 35-36, toms through bars 37-52, hi-hat through bars 53-68, silence through bars 69-72 and hi-hat through bars 73-88.
The beat the song is built on is one bar, played through bars 5-16, 21-34 and 53-68, and 1 more place -- 65.9% of every bar the kit plays. Learn that one and the song is very nearly finished.
21
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x--x-x--x---|
BD |x------x--x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
88 bars, about 3:21 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 24 minutes each.
hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.