208 bars at 194 BPM -- fast, and 4:03 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5, toms through bars 6-9, hi-hat through bars 10-24, toms through bars 25-26, hi-hat through bars 27-96 and toms through bars 97-114, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 12, 14 and 19, and 20 more places -- 11.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
45
1e+a2e+a3e+a4e+a
HH |o-------o-------|
SD |--------x-------|
BD |----x-----x-----|21 fills to learn, played 47 times: bars 10, 26, 27, 28, 29, 30 and 41 more.
It cuts the song into 72 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
194 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
208 bars, about 4:03 at the written tempo. The course breaks it into 72 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 47 times: bars 10, 26, 27, 28, 29, 30 and 41 more.