168 bars at 205 BPM -- fast, and 3:17 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
kick and crashes through bars 1-2, silence through bars 3-4, kick and crashes through bars 5-7, toms through bars 8-9, hi-hat through bars 10-25 and ride through bars 26-32, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 18-20, and 9 more places -- 21.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |-x-x-x-x-x-x-x-x|
BD |x-x-x-x-x-x-x-x-|11 fills to learn, played 24 times: bars 5, 8, 9, 13, 21, 29 and 18 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
205 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 86 out of 100; the rest of the number is everything around it.
168 bars, about 3:17 at the written tempo. The course breaks it into 46 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 24 times: bars 5, 8, 9, 13, 21, 29 and 18 more.