62 bars of 4/4 at a walking 80 BPM, 3:06 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
ride through bars 1-3, hi-hat through bars 4-12, ride through bars 13-21, hi-hat through bars 22-29, ride through bars 30-39 and silence through bars 40-46, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 1, 3 and 14, and 8 more places -- 28.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14
1e+a2e+a3e+a4e+a
CC |x---------------|
RD |--x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-------|6 fills to learn, played 10 times: bars 4, 12, 16, 29, 33, 46 and 4 more.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
62 bars, about 3:06 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 4, 12, 16, 29, 33, 46 and 4 more.