178 bars at 173 BPM -- fast, and 4:06 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
65 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 2-17, ride through bars 18-21, hi-hat through bars 22-32, snare through bars 33-34, hi-hat through bars 35-46 and ride through bars 47-66, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 47-52, 55-57 and 59-61, and 8 more places -- 24.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
48
1e+a2e+a3e+a4e+a
RD |x---x---x---x---|
SD |x---x---x---x---|
BD |--x---x---x---xx|13 fills to learn, played 28 times: bars 7, 8, 17, 21, 25, 29 and 22 more.
It cuts the song into 48 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
173 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
178 bars, about 4:06 at the written tempo. The course breaks it into 48 exercises over 18 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 28 times: bars 7, 8, 17, 21, 25, 29 and 22 more.