80 bars of 4/4 at a walking 98 BPM, 3:16 of playing, on hi-hat, snare, high tom, mid tom and kick.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-12, hi-hat through bars 13-60, silence through bars 61-72 and hi-hat through bars 73-80.
The beat the song is built on is one bar, played through bars 13-19, 21-35 and 45-51, and 2 more places -- 74.6% of every bar the kit plays. Learn that one and the song is very nearly finished.
13
1e+a2e+a3e+a4e+a
HH |--x---x---x---x-|
SD |----x-------x---|
BD |x---x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
80 bars, about 3:16 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 24 minutes each.
hi-hat, snare, high tom, mid tom and kick. Nothing in the part asks for anything else.