89 bars of 3/4 -- not four -- at 62 BPM, 4:19 of playing on crash, ride, hi-hat, snare and kick.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
ride through bars 2-9, hi-hat through bars 10-25, ride through bars 26-33, hi-hat through bars 34-41, kick and crashes through bars 42-43 and ride through bars 44-47, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 34-40, 72-78 and 82-87 -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
34
1e+a2e+a3e+a
CC |x-----------|
HH |--o-o-o-o-o-|
SD |------x-----|
BD |x-----------|3 fills to learn, played 9 times: bars 25, 29, 33, 41, 55, 59 and 3 more.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
62 BPM, in 3/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 9 out of 100; the rest of the number is everything around it.
89 bars, about 4:19 at the written tempo. The course breaks it into 23 exercises over 5 sittings, about 28 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 9 times: bars 25, 29, 33, 41, 55, 59 and 3 more.