70 bars of 4/4 at 130 BPM, about 2:09 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5, hi-hat through bars 6-17, snare through bars 18-25, hi-hat through bars 26-41, snare through bars 42-49 and hi-hat through bars 50-64, and 1 more change after that.
The beat the song is built on is one bar, played through bars 6-16, 26-32 and 34-40 -- 37.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
7
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-x-----x-x-----|9 fills to learn, played 15 times: bars 5, 17, 25, 33, 41, 42 and 9 more.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
70 bars, about 2:09 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 5, 17, 25, 33, 41, 42 and 9 more.