190 bars of 4/4 at 120 BPM, about 6:19 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-28, snare through bars 29-46, toms through bars 47-48, snare through bars 49-65 and hi-hat through bars 66-80, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 13-19, 27 and 35, and 8 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |x---x---x---x---|
BD |xxxxxxxxxxxxxxxx|7 fills to learn, played 20 times: bars 8, 20, 28, 36, 63, 64 and 14 more.
It cuts the song into 48 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 46 out of 100; the rest of the number is everything around it.
190 bars, about 6:19 at the written tempo. The course breaks it into 48 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 20 times: bars 8, 20, 28, 36, 63, 64 and 14 more.