307 bars of 3/4 -- not four -- at 172 BPM, 5:21 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
ride through bars 1-2, hi-hat through bars 3-5, snare through bars 6-7, hi-hat through bars 8-18, ride through bars 19-32 and hi-hat through bars 33-50, and 17 more changes after that.
The beat the song is built on is one bar, played through bars 3-9, 12-13 and 16, and 20 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
34
1e+a2e+a3e+a
HH |o-----o-----|
SD |------x-----|
BD |x-----x-x---|9 fills to learn, played 26 times: bars 14, 17, 19, 22, 30, 50 and 20 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
172 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
307 bars, about 5:21 at the written tempo. The course breaks it into 46 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 26 times: bars 14, 17, 19, 22, 30, 50 and 20 more.