156 bars of 4/4 at 149 BPM, about 4:11 of playing, on hi-hat, snare, floor tom and kick.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-33, silence through bars 34-36, hi-hat through bars 37-60, toms through bars 61-68 and hi-hat through bars 69-85, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 61-68, 101-107 and 109, and 4 more places -- 41.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
61
1e+a2e+a3e+a4e+a
SD |----g-----g-----|
FT |gggg--g-g---g-g-|
BD |x---x---x---x-x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
149 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
156 bars, about 4:11 at the written tempo. The course breaks it into 33 exercises over 11 sittings, about 26 minutes each.
hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.