113 bars of 4/4 at a walking 85 BPM, 5:18 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-9, kick and crashes through bars 10-11, hi-hat through bars 12-43, kick and crashes through bars 44-47, hi-hat through bars 48-92 and silence through bars 93-96, and 1 more change after that.
The beat the song is built on is one bar, played through bars 16-19, 36-39 and 48-51, and 3 more places -- 28% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
36
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----r-------r---|
BD |x-----x-x-------|1 fill to learn, played 1 time: bar 10.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
85 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
113 bars, about 5:18 at the written tempo. The course breaks it into 36 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 1 time: bar 10.