263 bars at 158 BPM -- fast, and 6:14 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-20, hi-hat through bars 21-32, ride through bars 33-36, toms through bars 37-40, hi-hat through bars 41-60 and toms through bars 61-64, and 22 more changes after that.
The beat the song is built on is one bar, played through bars 25-31, 41-44 and 49-51, and 5 more places -- 17.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
82
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |x---x---x---x---|
BD |xxxxxxxxxxxxxxxx|21 fills to learn, played 46 times: bars 24, 32, 37, 38, 39, 40 and 40 more.
It cuts the song into 82 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
158 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
263 bars, about 6:14 at the written tempo. The course breaks it into 82 exercises over 21 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 46 times: bars 24, 32, 37, 38, 39, 40 and 40 more.