254 bars at 158 BPM -- fast, and 6:10 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bar 1, toms through bars 2-12, hi-hat through bars 13-70, toms through bars 71-73, kick and crashes through bars 74-78 and hi-hat through bars 79-112, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 57-63, 65-70 and 99-105, and 11 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
59
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x---------x---g-|25 fills to learn, played 61 times: bars 16, 28, 55, 56, 64, 71 and 55 more.
It cuts the song into 79 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
158 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
254 bars, about 6:10 at the written tempo. The course breaks it into 79 exercises over 25 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 61 times: bars 16, 28, 55, 56, 64, 71 and 55 more.