89 bars of 4/4 at 134 BPM, about 2:30 of playing, on hi-hat, snare, floor tom and kick.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-32, kick and crashes through bars 33-46, silence through bars 47-51, hi-hat through bars 52-75 and kick and crashes through bars 76-89.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 9-11, and 11 more places -- 50% of every bar the kit plays. Learn that one and most of the song is already under your hands.
1
1e+a2e+a3e+a4e
HH |xxo-xxo-xxo-o-|
SD |--x---x---x---|
FT |------------x-|
BD |x---x--x-x----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 73 out of 100; the rest of the number is everything around it.
89 bars, about 2:30 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 26 minutes each.
hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.