186 bars of 4/4 at 150 BPM, about 4:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
78 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 1-18, hi-hat through bars 19-27, silence through bars 28-30, hi-hat through bars 31-46, ride through bars 47-52 and toms through bars 53-55, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 56-62, 64-70 and 99-115, and 6 more places -- 32.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
56
1e+a2e+a3e+a4e+a
CC |x---------------|
RD |--x-x-x-x-x-x-x-|
SD |--x---x---x---x-|
BD |xxxxxxxxxxxxxxxx|24 fills to learn, played 55 times: bars 1, 3, 5, 7, 8, 9 and 49 more.
It cuts the song into 53 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 78 out of 100; the rest of the number is everything around it.
186 bars, about 4:58 at the written tempo. The course breaks it into 53 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 55 times: bars 1, 3, 5, 7, 8, 9 and 49 more.