79 bars of 4/4 at 116 BPM, about 2:43 of playing, on hi-hat, snare, floor tom, kick and hi-hat foot.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-11, silence through bars 12-13, snare through bars 14-18, hi-hat through bars 19-22, snare through bars 23-24 and hi-hat through bars 25-26, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 19-22, 35-38 and 47-54, and 1 more place -- 44.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
19
1e+a2e+a3e+a4e+a
HH |xx--xx--xx-xx-x-|
SD |--x---x---x--x-x|
BD |xx--xx--xx-xx-x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
79 bars, about 2:43 at the written tempo. The course breaks it into 16 exercises over 6 sittings, about 25 minutes each.
hi-hat, snare, floor tom, kick and hi-hat foot. Nothing in the part asks for anything else.