306 bars of 3/4 -- not four -- at 180 BPM, 5:06 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
79 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 1-2, ride through bars 3-51, silence through bars 52-57, kick and crashes through bars 58-62, hi-hat through bars 63-159 and silence through bars 160-178, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 63, 65-67 and 69, and 31 more places -- 33.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
80
1e+a2e+a3e+a
HH |o-o-o-o-o-o-|
SD |------X-----|
BD |x---x---x-x-|10 fills to learn, played 43 times: bars 34, 41, 42, 49, 50, 62 and 37 more.
It cuts the song into 41 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
306 bars, about 5:06 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 43 times: bars 34, 41, 42, 49, 50, 62 and 37 more.