417 bars at 212 BPM -- fast, and 7:25 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-4, silence through bars 5-6, kick and crashes through bars 7-16, snare through bars 17-20, silence through bars 21-22 and kick and crashes through bars 23-24, and 53 more changes after that.
The beat the song is built on is one bar, played through bars 40, 48-49 and 51, and 22 more places -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
48
1e+a2e+a3e+a4e+a
HH |x---x---x---x---|
SD |----x-------x---|
BD |x-------x-x-----|22 fills to learn, played 58 times: bars 18, 19, 41, 52, 54, 72 and 52 more.
It cuts the song into 95 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
212 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
417 bars, about 7:25 at the written tempo. The course breaks it into 95 exercises over 27 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 58 times: bars 18, 19, 41, 52, 54, 72 and 52 more.