404 bars at 212 BPM -- fast, and 7:10 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-4, silence through bars 5-16, snare through bars 17-20, silence through bars 21-22, hi-hat through bars 23-24 and silence through bars 25-26, and 30 more changes after that.
The beat the song is built on is one bar, played through bars 40, 48-49 and 51, and 22 more places -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
48
1e+a2e+a3e+a4e+a
HH |x---x---x---x---|
SD |----x-------x---|
BD |x-------x-x-----|17 fills to learn, played 46 times: bars 41, 52, 54, 72, 79, 95 and 40 more.
It cuts the song into 86 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
212 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
404 bars, about 7:10 at the written tempo. The course breaks it into 86 exercises over 26 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 46 times: bars 41, 52, 54, 72, 79, 95 and 40 more.