422 bars at 230 BPM -- fast, and 6:52 of it without a break -- on crash, hi-hat, snare, floor tom and kick.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-5, silence through bars 6-7, kick and crashes through bars 8-17, snare through bars 18-21, silence through bars 22-23 and kick and crashes through bars 24-25, and 50 more changes after that.
The beat the song is built on is one bar, played through bars 49-50, 56 and 58, and 28 more places -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
49
1e+a2e+a3e+a4e+a
HH |x---x---x---x---|
SD |----x-------x---|
BD |x-------x-x-----|15 fills to learn, played 52 times: bars 19, 20, 42, 53, 64, 65 and 46 more.
It cuts the song into 97 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
230 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
422 bars, about 6:52 at the written tempo. The course breaks it into 97 exercises over 29 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
15 fills to learn, played 52 times: bars 19, 20, 42, 53, 64, 65 and 46 more.