96 bars of 6/4 -- not four -- at 130 BPM, 4:19 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-9, ride through bars 10-13, hi-hat through bars 14-19, ride through bars 20-37, hi-hat through bars 38-40 and ride through bars 41-50, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 10, 23 and 27, and 1 more place -- 10.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27
1.....2.....3.....4.....5.....6.....
RD |x-----x-----x-----x-----x-----x-----|
SD |------------------x-----------------|
BD |x-----------------------------------|5 fills to learn, played 10 times: bars 9, 13, 33, 46, 50, 51 and 4 more.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 20 out of 100; the rest of the number is everything around it.
96 bars, about 4:19 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 9, 13, 33, 46, 50, 51 and 4 more.