160 bars of 4/4 at 122 BPM, about 4:59 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-16, kick and crashes through bars 17-21, silence through bars 22-57, hi-hat through bars 58-62, snare through bars 63-64 and ride through bars 65-72, and 18 more changes after that.
The beat the song is built on is one bar, played through bars 75-76, 79-80 and 83-84, and 12 more places -- 24.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
79
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-----x-----x-x-|18 fills to learn, played 37 times: bars 57, 63, 65, 73, 74, 78 and 31 more.
It cuts the song into 42 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 27 out of 100; the rest of the number is everything around it.
160 bars, about 4:59 at the written tempo. The course breaks it into 42 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 37 times: bars 57, 63, 65, 73, 74, 78 and 31 more.