75 bars of 4/4 at a walking 85 BPM, 3:26 of playing, on crash, ride, hi-hat, snare and kick.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 2-13, ride through bars 14-15, hi-hat through bars 16-17, snare through bars 18-19, hi-hat through bars 20-36 and ride through bars 37-38, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 18, 20-22 and 24-26, and 8 more places -- 32.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
64
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |--x-----x-x---x-|5 fills to learn, played 10 times: bars 27, 28, 46, 50, 51, 53 and 4 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
85 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
75 bars, about 3:26 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
5 fills to learn, played 10 times: bars 27, 28, 46, 50, 51, 53 and 4 more.