258 bars of 4/4 at a walking 98 BPM, 10:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-3, toms through bars 4-12, silence through bars 13-18, kick and crashes through bars 19-20, silence through bars 21-26 and hi-hat through bars 27-47, and 17 more changes after that.
The beat the song is built on is one bar, played through bars 27, 29 and 31-32, and 38 more places -- 28.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
29
1.....2.....3.....4.....
HH |x-----x-----x-----x-----|
SD |------x-----------x-----|
BD |x--x--------x--x--------|12 fills to learn, played 24 times: bars 5, 6, 8, 9, 10, 11 and 18 more.
It cuts the song into 39 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
98 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
258 bars, about 10:32 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 24 times: bars 5, 6, 8, 9, 10, 11 and 18 more.