91 bars of 4/4 at a walking 88 BPM, 4:08 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-8, snare through bars 9-17, hi-hat through bars 18-66, snare through bars 67-74, hi-hat through bars 75-82 and snare through bars 83-91.
The beat the song is built on is one bar, played through bars 1-6, 22-29 and 51-65, and 1 more place -- 39.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
1
1...........2...........3...........4...........
CC |x-----------------------------------------------|
HH |------o-----o-----o-----o-----o-----o-----o-----|
SD |------------x-----------------------x-----------|
BD |x-----------------------x-----------------------|4 fills to learn, played 7 times: bars 8, 21, 50, 66, 74, 82 and 1 more.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
88 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
91 bars, about 4:08 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 24 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
4 fills to learn, played 7 times: bars 8, 21, 50, 66, 74, 82 and 1 more.