141 bars at 195 BPM -- fast, and 2:55 of it without a break -- on crash, hi-hat, snare, high tom, mid tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-8, hi-hat through bars 9-24, snare through bars 25-47, hi-hat through bars 48-66, snare through bars 67-89 and hi-hat through bars 90-100, and 1 more change after that.
The beat the song is built on is one bar, played through bars 33-35, 37-39 and 41-43, and 9 more places -- 27.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
33
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |x-------x-------|
BD |------x-------x-|4 fills to learn, played 7 times: bars 32, 74, 92, 100, 104, 108 and 1 more.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
195 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 22 out of 100; the rest of the number is everything around it.
141 bars, about 2:55 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 32, 74, 92, 100, 104, 108 and 1 more.