207 bars at 180 BPM -- fast, and 4:36 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-21, hi-hat through bars 22-57, snare through bars 58-63, hi-hat through bars 64-68, snare through bars 69-70 and hi-hat through bars 71-75, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 52, 58 and 91, and 17 more places -- 11% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
160
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
BD |x-x-x-x-x-x-x-x-|22 fills to learn, played 49 times: bars 21, 24, 27, 30, 33, 36 and 43 more.
It cuts the song into 74 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
207 bars, about 4:36 at the written tempo. The course breaks it into 74 exercises over 24 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 49 times: bars 21, 24, 27, 30, 33, 36 and 43 more.