119 bars of 4/4 at a walking 90 BPM, 5:16 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
78 out of 100: demanding, mostly on how much of it falls off the beat.
silence through bars 1-4, hi-hat through bars 5-101, kick and crashes through bars 102-103 and hi-hat through bars 104-119.
The beat the song is built on is one bar, played through bars 29-37, 59-67 and 104-119 -- 29.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
29
1.......2.......3.......4.......
HH |o---o---o---o---o---o---o---o---|
SD |----x-------x-------x-------x---|
BD |x---x---x-x-x---x---x---x-x-x---|5 fills to learn, played 12 times: bars 4, 8, 12, 16, 20, 24 and 6 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 57 out of 100; the rest of the number is everything around it.
119 bars, about 5:16 at the written tempo. The course breaks it into 37 exercises over 13 sittings, about 25 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
5 fills to learn, played 12 times: bars 4, 8, 12, 16, 20, 24 and 6 more.