182 bars of 4/4 at 143 BPM, about 5:05 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-8, snare through bars 9-25, hi-hat through bars 26-48, snare through bars 49-73, hi-hat through bars 74-78 and snare through bars 79-81, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 56, 58-64 and 104, and 5 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
58
1.......2.......3.......4.......
CC |x-------x-------x-------x-------|
SD |--------x---------------x-------|
BD |x---x---x---x---x---x---x---x---|12 fills to learn, played 24 times: bars 11, 13, 17, 23, 33, 41 and 18 more.
It cuts the song into 53 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
143 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
182 bars, about 5:05 at the written tempo. The course breaks it into 53 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 24 times: bars 11, 13, 17, 23, 33, 41 and 18 more.