75 bars of 4/4 at 145 BPM, about 2:04 of playing, on crash, hi-hat, snare, mid tom and kick.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 1-16, hi-hat through bars 17-32, snare through bars 33-40, kick and crashes through bars 41-42, snare through bars 43-59 and hi-hat through bars 60-75.
The beat the song is built on is one bar, played through bars 60-62, 64-66 and 68-70, and 1 more place -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
60
1...........2...........3...........4...........
CC |x-----------------------x-----------------------|
HH |------------o-----------------------o-------o---|
SD |------------------------x-----------------------|
BD |x---x---x---x---x---x---x---x---x---x---x---x---|1 fill to learn, played 1 time: bar 8.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 75 out of 100; the rest of the number is everything around it.
75 bars, about 2:04 at the written tempo. The course breaks it into 29 exercises over 12 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
1 fill to learn, played 1 time: bar 8.