93 bars of 4/4 at a walking 81 BPM, 4:39 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
74 out of 100: demanding, mostly on how much of it falls off the beat.
kick and crashes through bars 1-3 and snare through bars 4-93.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 21 more places -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5
1.......2.......3.......4.......
CC |x-------------------------------|
SD |----x-------x-------x-------x---|
BD |x-xxx-x-x-xxx-x-x-xxx-x-x-xxx-x-|
HF |--x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-|9 fills to learn, played 21 times: bars 6, 8, 16, 20, 21, 23 and 15 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
81 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 69 out of 100; the rest of the number is everything around it.
93 bars, about 4:39 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 21 times: bars 6, 8, 16, 20, 21, 23 and 15 more.