71 bars of 4/4 at 130 BPM, about 2:11 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
44 out of 100 -- a fair first song -- with how many notes a second it asks for the part that decides it.
hi-hat through bar 1, snare through bars 2-3, hi-hat through bars 4-18, snare through bars 19-21, kick and crashes through bars 22-29 and snare through bars 30-32, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 46-61 -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
46
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-x-----x-------|1 fill to learn, played 1 time: bar 11.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with how many notes a second it asks for the part that decides it. The beat itself is 33 out of 100; the rest of the number is everything around it.
71 bars, about 2:11 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 1 time: bar 11.