165 bars of 4/4 at 140 BPM, about 4:43 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-16, hi-hat through bars 17-92, snare through bars 93-99, silence through bars 100-102, hi-hat through bars 103-117 and snare through bars 118-165.
The beat the song is built on is one bar, played through bars 38-42, 75-77 and 83-87, and 4 more places -- 53.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
94
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x---x-----------|4 fills to learn, played 7 times: bars 30, 46, 60, 68, 82, 110 and 1 more.
It cuts the song into 21 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 11 out of 100; the rest of the number is everything around it.
165 bars, about 4:43 at the written tempo. The course breaks it into 21 exercises over 4 sittings, about 31 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 30, 46, 60, 68, 82, 110 and 1 more.