128 bars of 4/4 at a walking 102 BPM, 5:01 of playing, on crash, ride, hi-hat, snare and kick.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-40, ride through bars 41-49, hi-hat through bars 50-69, ride through bars 70-92, silence through bars 93-96 and hi-hat through bars 97-128.
The beat the song is built on is a 2-bar phrase, played through bars 1-11, 13-28 and 50, and 2 more places -- 53.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
1 2
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|x-x-x-x-x-o-x-x-|
SD |----x--g----x---|-g--x----g--x---|
BD |x-x-----x-x---x-|----------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 15 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
128 bars, about 5:01 at the written tempo. The course breaks it into 15 exercises over 4 sittings, about 28 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.