77 bars of 6/4 -- not four -- at 138 BPM, 3:21 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, snare through bars 5-12, ride through bars 13-23, hi-hat through bars 24-26, ride through bars 27-29 and toms through bars 30-36, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 13-20 -- 19.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13
1e+a2e+a3e+a4e+a5e+a6e+a
RD |--------x-----------x---|
SD |------------x-----------|
BD |x-----------------------|7 fills to learn, played 8 times: bars 8, 29, 31, 32, 34, 36 and 2 more.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
138 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 9 out of 100; the rest of the number is everything around it.
77 bars, about 3:21 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 8 times: bars 8, 29, 31, 32, 34, 36 and 2 more.