118 bars of 4/4 at a walking 105 BPM, 4:26 of playing, on crash, snare and kick.
24 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
snare through bars 1-94, kick and crashes through bars 95-96, silence through bars 97-110 and snare through bars 111-118.
The beat the song is built on is one bar, played through bars 9-26, 29-38 and 41-42, and 7 more places -- 65.4% of every bar the kit plays. Learn that one and the song is very nearly finished.
9
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x-------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
24 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 13 out of 100; the rest of the number is everything around it.
118 bars, about 4:26 at the written tempo. The course breaks it into 8 exercises over 2 sittings, about 30 minutes each.
crash, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.