112 bars of 4/4 at a walking 102 BPM, 4:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bar 1, snare through bars 2-25, hi-hat through bars 26-45, ride through bars 46-49, hi-hat through bars 50-53 and toms through bars 54-58, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 26-29, 38-43 and 50-51, and 4 more places -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26
1e+a2e+a3e+a4e+a
CC |x-x-x-----------|
HH |--------o-o-o-o-|
SD |----x-------x---|
BD |x-x-----x-------|9 fills to learn, played 15 times: bars 37, 54, 55, 57, 59, 61 and 9 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
112 bars, about 4:24 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 37, 54, 55, 57, 59, 61 and 9 more.