438 bars of 4/4 at 110 BPM, about 15:57 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-13, hi-hat through bars 14-36, ride through bars 37-245, snare through bars 246-256, toms through bars 257-421 and snare through bars 422-438.
The beat the song is built on is one bar, played through bars 269-280, 282-364 and 376-388, and 1 more place -- 25.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
272
1e+a2e+a3e+a4e+a
FT |x-xxxxx-xxxxxxxx|
BD |x-----x-----x---|10 fills to learn, played 42 times: bars 16, 20, 24, 28, 32, 36 and 36 more.
It cuts the song into 78 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
438 bars, about 15:57 at the written tempo. The course breaks it into 78 exercises over 21 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 42 times: bars 16, 20, 24, 28, 32, 36 and 36 more.