127 bars of 4/4 at a walking 108 BPM, 4:42 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-72, snare through bars 73-74 and hi-hat through bars 75-127.
The beat the song is built on is one bar, played through bars 25-27, 29-31 and 33-35, and 17 more places -- 25.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
27
1e+a2e+a3e+a4e+a
RD |--------x-------|
HH |x-x-x-x-x-x-x-x-|
SD |--------r-------|
BD |x---x-----------|5 fills to learn, played 9 times: bars 24, 48, 73, 74, 82, 109 and 3 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 27 out of 100; the rest of the number is everything around it.
127 bars, about 4:42 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 24, 48, 73, 74, 82, 109 and 3 more.