136 bars of 4/4 at 120 BPM, about 4:32 of playing, on crash, hi-hat, snare, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
toms through bars 3-4, hi-hat through bars 5-30, snare through bars 31-32, hi-hat through bars 33-50, snare through bars 51-52 and hi-hat through bars 53-85, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 19 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-o-|
SD |----x-------x---|
BD |x-----x-x-----x-|8 fills to learn, played 17 times: bars 31, 32, 44, 51, 52, 59 and 11 more.
It cuts the song into 42 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 38 out of 100; the rest of the number is everything around it.
136 bars, about 4:32 at the written tempo. The course breaks it into 42 exercises over 10 sittings, about 29 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
8 fills to learn, played 17 times: bars 31, 32, 44, 51, 52, 59 and 11 more.