156 bars of 4/4 at 116 BPM, about 5:22 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
ride through bars 1-32, hi-hat through bars 33-56, ride through bars 57-87, toms through bars 88-104, silence through bars 105-113 and toms through bars 114-115, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 1-15, 17-31 and 61, and 9 more places -- 30.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
17
1.....2.....3.....4.....
RD |x-----x-----x-----x-----|
SD |------------x-----------|
BD |x-----------------------|8 fills to learn, played 11 times: bars 32, 40, 48, 64, 72, 102 and 5 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
116 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 18 out of 100; the rest of the number is everything around it.
156 bars, about 5:22 at the written tempo. The course breaks it into 38 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 32, 40, 48, 64, 72, 102 and 5 more.