192 bars at 198 BPM -- fast, and 3:52 of it without a break -- on crash, ride, hi-hat, snare, mid tom and kick.
75 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 1-3, silence through bars 4-6, snare through bars 7-24, kick and crashes through bars 25-26, hi-hat through bars 27-46 and kick and crashes through bars 47-48, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 7, 9-11 and 13-15, and 7 more places -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9
1.......2.......3.......4.......
CC |x-------x-------x-------x-------|
SD |----------------x---------------|
BD |x--x-x--x--x-x--x-------x--x-x--|10 fills to learn, played 15 times: bars 42, 103, 106, 107, 109, 111 and 9 more.
It cuts the song into 59 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
198 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
192 bars, about 3:52 at the written tempo. The course breaks it into 59 exercises over 20 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 15 times: bars 42, 103, 106, 107, 109, 111 and 9 more.