105 bars of 4/4 at 130 BPM, about 3:44 of playing, on crash, hi-hat, snare, floor tom and kick.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-17, snare through bars 18-37, hi-hat through bars 38-39, snare through bars 40-50, toms through bars 51-54 and snare through bars 55-56, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 18-20, 22-28 and 41-50 -- 28.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
18
1e+a2e+a3e+a4e+a5e+a6e+a
CC |g-g-g-g-g-g-g-g-g-g-g-g-|
SD |----x-------x-------x---|
BD |x-------x-------x-x-----|8 fills to learn, played 20 times: bars 21, 29, 30, 32, 33, 36 and 14 more.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
105 bars, about 3:44 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
8 fills to learn, played 20 times: bars 21, 29, 30, 32, 33, 36 and 14 more.