131 bars of 4/4 at a walking 97 BPM, 5:24 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-58, silence through bars 59-64, hi-hat through bars 65-93, snare through bars 94-97 and kick and crashes through bars 98-99, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 9-24, 33-40 and 49-52, and 2 more places -- 28.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9
1e+a2e+a3e+a4e+a
HH |--x---x---x---x-|
SD |----x-------x---|
BD |xx------xx------|5 fills to learn, played 9 times: bars 53, 54, 55, 56, 57, 64 and 3 more.
It cuts the song into 39 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
97 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 18 out of 100; the rest of the number is everything around it.
131 bars, about 5:24 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 53, 54, 55, 56, 57, 64 and 3 more.