121 bars of 4/4 at 154 BPM, about 3:07 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 2-4, hi-hat through bars 5-60, kick and crashes through bars 61-65, hi-hat through bars 66-82, toms through bars 83-89 and hi-hat through bars 90-95, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 5-7, 9-15 and 17-23, and 15 more places -- 70.8% of every bar the kit plays. Learn that one and the song is very nearly finished.
5
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |o-o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x-------x-------|9 fills to learn, played 24 times: bars 8, 16, 24, 32, 48, 52 and 18 more.
It cuts the song into 15 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
121 bars, about 3:07 at the written tempo. The course breaks it into 15 exercises over 5 sittings, about 22 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 24 times: bars 8, 16, 24, 32, 48, 52 and 18 more.